capturing in prose
As I wrote, these few weeks, I have tried to express colors on low saturated, gray-tone pictures as a trial. Today would be the last day of the series but I will post similar pictures again.
(Also my second contribution to WPC:Intricate)
ここしばらくサチュレーションの低い（淡色の）グレーな写真で色を表現してみようと試してきた。今日がその最終日だが、似たような写真をまたポストするつもりである。
Each of the construction machines, or should I say vehicles for a specific purpose, in the world are not the same. In some cases, a popular machine in a country has completely different shape in others. That’s why I take pictures of them whenever I visit foreign countries. Like a young boy, I’m always looking forward to seeing machines, vehicles and even buses.
世界中の建機あるいは特殊車両は、同じではない。時には、ある国で普通の機械が別な国ではまったく違う形であったりする。だから他国を旅する時にはいつもその写真を撮る。少年のように、いつも機械や車両を見るのが楽しみなのだ。バスでさえも。
The nature of our planets is always intricate. Seemingly small and trivial things might be affected each other. This sweet pea dose NOT intend to find something to wind around. Just its bines has a nature of winding. That’s why I love to see weeds, wild grasses, which shows me its intricate questions.
In response to the weekly photo challenge, Intricate by The Daily Post.
A Part of Wordless Wednesday
I don’t know why I keep on posting monotone or monochrome pictures in spite of the colorful spring days. In addition, it is not monochrome exactly. At least, I found many colours in these pictures.
なぜ、カラフルな春の日であるにもかかわらず、モノトーンやモノクロームの画像をポストし続けるのか、理由は分からない。加えて、正確にはモノクロームではない。ただ、少なくともその写真のなかに多くの色を見いだすのだ。
l'atelier tanu | tagnoue 